Poetry Assessment :: English Literature

Poetry AssessmentNothings Changed is a powerful piece of poetic literature whichportrays in a agitating way, the poverty and apartheid inPost-Nelson Mandela South Africa and how Nothings Changed since hehas been elected as president.It starts in a harsh abrupt way small round hard stones readilybrings forth a strong image of a dirty driveway littered with stones,the next few lines cans trodden on, crunch and tall,purple-flowering, amiable weeds add to this picture and describes ingreater detail the untidy, poorly maintained wasteland. Thepurple-flowering weeds border the rocky supply and give starkcontrast to the ugliness of the stadium as it has been expound insofar.The character in the poem goes into a Whites Only area, where hefeels very unwelcome. At first, he seems contented to walk through afamiliar area and revisit the place where he had lived. However, thismood changes abruptly when he comes across a Whites Only inn whichmakes him feel very angry and even violent.The rhythm of this poem is very slow and thoughtful and the stanzasact like paragraphs. This industrial plant well because it creates a sense of himcrushing his growing anger and distaste as he remembers hischildhood. There are however some outstanding short lines for effect,these represent a growing struggle inside him to aliveness his fury undercontrol. Examples of this are Anger of my eyes brash with glassits in the bone hands burn The poet uses these short linesbecause they are dramatic, saucer-eyed but powerful and memorable.There are many examples of poetic devices in Nothings Changed,especially in the third stanza my first choice is line 18, where thepoet describes the light upon as flaring like a flag. This simile iseffective because flaring suggests a invoke and it is a provocativeimage. The restaurant squats in the grass and weeds. I believe thepoet compares the restaurant to something lurking and sinister becausethis place represents everything that they are fighting against. Inconclusion, I think that the poem does not really work well, it failsto truly wear upon the surface of thought and although it tries to putacross the poets thoughts and feelings on racism it fails kind ofmiserably because of the simple fact that the writing is bound byliterary laws of poetry.In the greyness and drizzle of one despondent dawn, unstirred byharbingers of temperateness break.Vultures (by Chinua Achebe) opens in a grandiose and portentousfashion that immediately fills the readers disposition with a sense of amacabre and unhappy morning, the grey skies do not encourage a senseof happiness or gladness nor does it give any indication that this